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苦禅门下 · 雪涛传艺 · 思温国际艺术金融研究院（禅思院）Institute of Chansi for Siwen International Art & Finance (Under the Lineage of Li Kuchan and Wang Xuetao)

苦禅门下 · 雪涛传艺 · 思温国际艺术金融研究院（禅思院），2015年创建于中国北京，是一所以中国著名画家赵思温先生大写意绘画艺术与现代金融对冲交易研究为核心的跨学科高端学术研究机构。研究院集学术研究、教育培训、国际交流与金融实战创新于一体，致力于推动中华优秀传统文化的当代表达，依托加拿大多元文化与金融开放环境，推动中加之间的文化互动、艺术合作与金融交流，增进双边友谊，拓展中国艺术在国际舞台上的学术影响力与文化感召力。研究院立足中国传统美学精神，延续李苦禅、王雪涛两位国画大师之写意画派文脉，系统整理国画大师赵思温先生的艺术语言与教学经验，建立起独具特色的“苦禅之骨—雪涛之韵—思温之形神兼备”传承体系，致力于构建国际化的艺术与金融融合教育平台。

Founded in 2015 Beijing of China , the Institute of Chansi is a high-level, interdisciplinary academic institution centered on two pillars — the freehand painting art of the renowned Chinese master Zhao Siwen and modern financial hedging and trading research.

Integrating academic scholarship, professional education, international exchange, and innovative financial practice, the Institute is dedicated to promoting the contemporary expression of China’s traditional culture. By drawing upon Canada’s multicultural environment and its open financial system, it actively fosters cultural interaction, artistic collaboration, and financial exchange between China and Canada, enhancing bilateral friendship and expanding the global academic influence and cultural appeal of Chinese art.

Rooted in the spiritual essence of traditional Chinese aesthetics, the Institute continues the artistic lineage of the great masters Li Kuchan and Wang Xuetao, systematically organizing and studying the artistic language and pedagogical experience of Master Zhao Siwen. It has established a distinctive inheritance framework — “the structural strength of Kuchan, the lyrical rhythm of Xuetao, and the expressive vitality of Siwen.”

The Institute is devoted to building an international platform that bridges art and finance, advancing the integration of aesthetic education, academic research, and innovative financial practice on the global stage.

【学科基础与传承背景】

Academic Foundation and Lineage Background

本院学术体系源于李苦禅先生的大写意结构美学与王雪涛先生的笔墨生趣及神韵造型。赵思温先生作为二位大师的最重要嫡传弟子，在“苦禅之骨”“雪涛之韵”的基础上，自成一体“思温之神形兼备”，兼具雄浑气势与灵动风韵。他长期致力于中国画国际传播与教育实践，形成了风格鲜明、内涵深厚的中国传统写意体系，为研究院奠定了坚实的理论与教学基础。因此，研究院的核心理念不仅在于笔墨技法的传承与发展，更在于“文脉—技艺—哲思”三位一体的学术建构与现实转化。

The academic framework of the Institute originates from Master Li Kuchan’s aesthetics of structural expressiveness in freehand painting and Master Wang Xuetao’s refined brushwork and lyrical vitality. As the most direct and prominent disciple of these two great masters, Master Zhao Siwen inherited both “the strength and structure of Kuchan” and “the rhythm and charm of Xuetao,” while developing his own distinctive style—“the harmony of spirit and form in Siwen.” His works embody both monumental grandeur and dynamic grace.

Through his lifelong dedication to the international dissemination and pedagogical practice of Chinese painting, Master Zhao established a modern freehand system characterized by a unique artistic identity and profound cultural depth, providing the Institute with a solid theoretical and educational foundation.

Accordingly, the Institute’s core philosophy extends beyond the mere transmission and innovation of brush-and-ink techniques. It embodies a triadic academic model that integrates cultural lineage, artistic craftsmanship, and philosophical reflection, striving to transform traditional wisdom into contemporary relevance.

【核心学科与研究方向】

Core Disciplines and Research Directions

一、艺术学科（以“大写意精神”为核心）

1. Artistic Discipline — Centered on the Spirit of “Grand Freehand Expression”
围绕“苦禅之骨、雪涛之韵、思温之形神兼备”三重结构展开，对笔墨法度、意象哲学与审美精神进行系统研究；出版画集，建构“思温体系”课程模块，推动当代表达与国际传播；设立写意绘画课程、临摹研修班与高阶创作课，形成从传统范式到现代拓展的教学路径；出版画集、画论文集，开展国际展览、艺术品版画与衍生品转化，拓展作品社会影响力与市场化维度。

The artistic discipline centers on the threefold structure of “the strength of Kuchan, the rhythm of Xuetao, and the harmony of form and spirit in Siwen.” It undertakes a systematic study of brushwork principles, the philosophy of imagery, and the spirit of aesthetic expression.

The Institute publishes art albums and theoretical collections, and has established a comprehensive “Siwen System” curriculum, advancing the contemporary interpretation and global dissemination of the grand freehand tradition.

It offers a full range of educational programs—including freehand painting courses, master-copy study sessions, and advanced creation classes—forming a pedagogical pathway that evolves from traditional paradigms to modern innovation.

Through international exhibitions, the publication of painting monographs and art essays, and the development of art prints and derivative works, the Institute enhances both the social impact and market dimension of its artistic output.

二、金融学科（以“资金管理与交易建模”为核心）

2. Financial Discipline — Focused on Capital Management and Trading Modeling

结合行为金融、统计概率与市场结构，构建高胜率实用型交易系统；开设实战交易、资金管理等实战导向课程，培养具有判断力与风控意识的专业人才；开展艺术品估值、资产化、证券化与基金运营机制研究；鼓励艺术与金融双背景研究路径，建设艺术经济与文化科技交叉实验平台。

Integrating behavioral finance, statistical probability, and market structure analysis, the Institute develops high-performance, practice-oriented trading systems designed for consistent profitability and effective risk control.

It offers applied courses in live trading, capital management, and trading psychology, cultivating professionals with strong analytical judgment and risk-awareness.

Research initiatives cover art valuation, asset securitization, and fund operation mechanisms, establishing a theoretical and practical foundation for art finance.

The Institute also encourages interdisciplinary research that bridges art and finance, fostering an experimental platform for art economy and cultural technology innovation, where creative expression and financial science converge to explore new models of cultural value creation.

【办学目标】

Educational Vision and Institutional Goals

传播中国大写意国画笔墨教学、风格研究与精神传承于一体的大写意艺术教育高地；艺术金融融合研究的重要智库平台，推动艺术价值与市场逻辑的深层对话；搭建中西艺术文化交流与国际学术合作的桥梁；培养兼具传统文化修养与现代金融智慧的复合型、跨学科、国际化创新人才群体。

To establish a leading center for the education of Chinese grand freehand painting, integrating brush-and-ink pedagogy, stylistic research, and the spiritual inheritance of the freehand tradition;

To serve as an intellectual think tank for the integration of art and finance, fostering in-depth dialogue between artistic value and market logic;

To build a bridge for cultural exchange and academic collaboration between Eastern and Western art traditions;

And to cultivate a new generation of interdisciplinary and globally minded innovators who embody both the cultural refinement of traditional Chinese art and the strategic insight of modern financial intelligence.

【未来展望】

Future Vision

研究院将构建“研究—教学—实践—传播”四位一体的运行结构。未来将推动与世界一流艺术金融研究机构、文化基金会、博物馆、大学等开展多边合作，最终建成集东方美学传统与全球金融创新机制于一体的国际一流艺术金融学院。

The Institute will establish an integrated “Research–Education–Practice–Communication” operational framework, forming a cohesive ecosystem that connects academic inquiry with real-world application and cultural dissemination.

In the future, it will promote multilateral collaborations with leading international institutions— including art-finance research centers, cultural foundations, museums, and universities— to advance global cooperation in art, culture, and finance.

Ultimately, the Institute aspires to evolve into a world-class Academy of Art and Finance, uniting the profound aesthetic traditions of the East with the innovative financial mechanisms of the modern world.

画家简介

Artist Biography

赵思温一九四零年生于中国甘肃，后旅居加拿大，并在美加生活、艺术创作、展览交流多年。自幼受家庭熏陶6岁学画，一九六五年毕业于中央民族大学艺术系，受业于著名国画大师李苦禅、王雪涛先生，两位恩师的老师是齐白石。赵思温先生历任中国美术家协会河北分会理事；河北省花鸟画研究会副会长；河北省廊坊画院院长；文化部民族文化基金会常务理事；河北美协副主席；国家一级美术师。赵先生曾为天安门、人民大会堂、国防部、外交部、军事博物馆、中国美术馆等重要场所进行艺术创作并举办展览、国家为其设立“赵思温艺术馆”以示表彰和鼓励其在艺术上的成就及为弘扬传统文化所做的贡献。赵先生亲自或作品多次在国内及美国、加拿大、日本、新加坡、泰国、马来西亚、中国台湾等地举办展览，并作为文化友谊使者传播中国画艺术，促进文化交流、增进友谊，绘画创作被海内外各界广泛收藏。

Zhao Siwen was born in Gansu, China in 1940. He later moved to Canada and lived, created art, and exchanged exhibitions in the United States and Canada for many years.Immersed in an artistic family environment, he began studying painting at the age of six.

He graduated from the Department of Fine Arts, Minzu University of China in 1965, studying under two of China’s most renowned masters of freehand ink painting — Li Kuchan and Wang Xuetao, both of whom were direct students of the great painter Qi Baishi.

Mr. Zhao has served as Council Member of the Hebei Branch of the China Artists Association, Vice President of the Hebei Flower-and-Bird Painting Research Association, President of the Langfang Painting Academy, Executive Director of the Cultural Foundation of the Ministry of Culture, Vice Chairman of the Hebei Artists Association, and is recognized as a National First-Class Artist.

He has created and exhibited artworks for several national institutions, including Tiananmen Square, the Great Hall of the People, the Ministry of National Defense, the Ministry of Foreign Affairs, the Military Museum, and the National Art Museum of China.

Mr. Zhao was in recognition of his outstanding artistic achievements and his contributions to the promotion of traditional Chinese culture, the state established the Zhao Siwen Art Museum in his honor.

Zhao Siwen and his works have been exhibited in China, the United States, Canada, Japan, Singapore, Thailand, Malaysia, and Taiwan, serving as a cultural ambassador who bridges Eastern and Western civilizations through the art of Chinese freehand ink painting.

His works are widely collected by art institutions, museums, and private collectors worldwide, and are celebrated for their profound brushwork, poetic composition, and the harmonious fusion of strength and grace — hallmarks that define his distinguished position in the field of modern Chinese freehand painting.

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